James Reid, The Print Club, c.1920, woodcut, 3 5/8” x 2 ¾”
Pages 4 & 5 from Dorothy Grafly’s The History of The Philadelphia Print Club, 1929. Published by The Print Club, engraved and printed by The Beck Engraving Co., Philadelphia, PA.
Pages 12 & 13 from Dorothy Grafly’s The History of The Philadelphia Print Club, 1929. Published by The Print Club, engraved and printed by The Beck Engraving Co., Philadelphia, PA.
Cover a the catalog for The Little Masters, 1931, an exhibition of works from the collections of Lessing J. Rosenwald
Article from The Philadelphia Inquirer, “Durer’s Art Still Casting Mystic Spell; Print Club’s Group is Best Ever Seen Here, C.H. Bonte, November 10, 1940. Image: Albrecht Durer, St. Christopher, 1511, woodcut.
Berthe von Moschzisker, Second Director of The Print Center, 1944
Carl Zigrosser, Curator of Prints, Philadelphia Museum of Art, lecturing at The Print Center, 1951
Morris Blackburn leading an etching workshop at The Print Center, c.1955.
Latin American Poster show
Publicity photo for performance to be given at The Print Center by John Dowell, 1980
The Print Center Gallery Store, c. 1980
Preparing for The Print Center Street Party in 1980.
John Coplans, Self Portrait, Lying Figure, 1990. Featured on a billboard on I-95 during IMPRINT: a public art project, 2002
Gabe Martinez, Meat Rack, 2015, 35mm slide projection (included in Bayside Revisited)
Gabriel Martinez, BITS (Bayside 5), 2015 archival inkjet, silkscreen, palladium leaf on paper 42″ x 19.75″ 2015 Courtesy: Wakefield Poole and Samson edition of 1 with 1 AP (included in Bayside Revisited)
Gabriel Martinez, Bayside #5, 2014 archival inkjet, silkscreen, silver leaf on paper, mounted on Sintra, 35.5″ x 53.5″ (included in Bayside Revisited)
Kara Walker, Alabama Loyalists Greeting the Federal Gun-Boats, 2005 Offset lithograph with screenprint Courtesy of LeRoy Neiman Center for Print Studies, Columbia University (included in Recollection)
Martha Madigan, Falls Bridge, 1981, Cyanotype Courtesy of the artist (included in Recollection)
Walker Evans, Church of Nazarene, Tennessee, 1936, Gelatin silver print. Courtesy of Haverford College Libraries, Special Collections (included in Recollection)
Art Spiegelman, Lead Pipe Sunday, 1989, Two sided Lithograph, Edition of 100, 22″ x 30”, Published by The Print Center (included in Highlights in History)
